Rules for participation in the performance:
1. Follow the instructions of the Museo Tamayo security team at all times.
2. Seating is limited. When the capacity of the central courtyard is filled, the Museo Tamayo reserves the right of admission to ensure public safety.
3. It is forbidden to enter the museum with vapes, alcohol, lighters, drugs and all types of weapons. Those who are caught with these objects will be referred to the authorities.
4. People who enter with backpacks, bags and large umbrellas must leave them in the museum's cloakroom, which has a limited space. When it fills up, no more backpacks or packages will be allowed and it will not be possible to enter the central courtyard with these.
5. In the museum cloakroom it is not possible to leave strollers, suitcases, bicycles, skates or skateboards.
6. Drinking food or drinks inside the museum is prohibited.
Amandititita. Amanda Escalante Pimentel's musical proposal is a fusion of traditional cumbia with urban rhythms, whose lyrics portray everyday life, machismo and urban culture of Mexico City in an ironic and direct way. Graduated from the Sociedad de Escritores de México (SOGEM) and La Dinámica de los Escritores. She was part of the theater company Aves de Paso. She debuted in 2008 with the album La Reina de la Anarcumbia, from the Sony Music label. He later presented La Descarada, from the same label, and independently Mala fama and Pinche amor. In 2014 she published her first book Trece latas de atún, published by Penguin Random House. She worked for the news media for two years Sin embargo and then a year for La capital. She has collaborated for Milenio, Proceso and Letras libres.
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