The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Carla Stellweg (Bandung, Indonesia, 1942) was one of the first independent curators in Mexico. The exhibition Cultivate is a tribute to the work of Stellweg, who has played an instrumental role in the development of the art scene in Mexico, specifically in its connection to international art. By bringing together archival material and the work of artists with whom she has collaborated, the exhibition explores different aspects of her career and centers her as a crucial agent who has cultivated seminal artists, platforms, and ideas in contemporary art.
The exhibition delves into Stellweg's career, which has been marked by his bold and independent nature. The show explores her beginnings as a collaborator with Fernando Gamboa on international projects such as Expo 67, the Venice Biennale, and many more; delves into her role as editor-in-chief of the first contemporary art magazine Mexico Artes Visuales (1973-1981), which was a crucial device for connecting artists in Latin America; and shows less explored facets as a pioneer in addressing and thinking about issues such as feminism, Chicano art, and above all, as a link to the work of artists in Latin America, the Caribbean and living in New York.
Curated by Andrea Valencia and Pablo León de la Barra.
Para socializar la heterogeneidad de voces que construyen la exposición colectiva OTRXS MUNDXS y profundizar en el discurso de las obras exhibidas en el Museo Tamayo, le pedimos a lxs artistas que nos hablen acerca de los conceptos o ideas que son importantes para expandir los discursos o motivaciones de su práctica.
