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Juan Muñoz (España, 1953-2001) fue un narrador, y la suya es una obra preocupada por la concepción de la imagen y por la figuración, por el artificio de la representación y de la puesta en escena. En un momento en que el arte se debatía entre los rezagos de una modernidad que abogaba por la autonomía de sus formas, y una postmodernidad naciente pero ya nostálgica de su propia historia, Muñoz desarrolla una obra en la que son igualmente importantes el lugar que ocupan los cuerpos como el espacio que los rodea; las figuras que se muestran como la mirada que las observa; el relato que sugieren como la expresividad que acallan.
Juan Muñoz. Las historias que no contamos se refiere también a la práctica expositiva como a una suerte de artilugio que le devuelve la palabra a los dibujos y esculturas de Muñoz, que esperan ser activadas por la mirada del espectador.
Curaduría por Magalí Arriola con asistencia curatorial de Lena Solà Nogué
Juan Muñoz was an artist and storyteller preoccupied by the conception of images and the artifice of representation. At a time when art was still divided between the legacy of modernity that advocated the autonomy of abstraction, and an emerging postmodernism already nostalgic of its own history—the 1980s and early 1990s—, Muñoz developed an original oeuvre in which optical illusionism called into question the spectator’s perception. He created individual sculptures and group installations where the placement of figures in space proved as important as the silent emptiness surrounding them, and in which the staging of a plotless storyline used fiction against the grain to reveal subjectivity as a cultural construct.
Juan Muñoz. The Stories We Do Not Tell also refers to the exhibition practice as a sort of artifice that gives the word back to Muñoz's drawings and sculptures, which are waiting to be activated by the viewer's gaze.
Curated by Magalí Arriola.
Para socializar la heterogeneidad de voces que construyen la exposición colectiva OTRXS MUNDXS y profundizar en el discurso de las obras exhibidas en el Museo Tamayo, le pedimos a lxs artistas que nos hablen acerca de los conceptos o ideas que son importantes para expandir los discursos o motivaciones de su práctica.
